Recital Programmes: 2026-2027
Late Beethoven Sonatas
Beethoven: Piano Sonata No.30 in E major, Op.109
Beethoven: Piano Sonata No.31 in A-flat major, Op.110
Beethoven: Piano Sonata No.32 in C minor, Op.111
“Fancies and Goodnights”
Haydn: Sonata in B Minor, Hob. XVI:32
Haydn: Sonata in D Major, Hob. XVI:24
Fancies and Goodnights suite: miniatures by composers including Gesualdo, Byrd, Rameau, Gluck, Bizet, Paderewski, Schubert and Janáček
Interval
Schubert: Sonata No. 21 in B-flat Major, D. 960
Haydn-Mozart-Brahms
Haydn: Keyboard Sonata in B minor, Hob.XVI:32, L.47
Haydn: Keyboard Sonata in D major, Hob.XVI:24, L.39
Mozart: Rondo in A minor, K.511
Brahms: Six Pieces for Piano, Op.118
Interval
Mozart: Piano Sonata No.18 in D major, K.576
Brahms: 4 Pieces for Piano, Op.119
Beethoven & Schumann
Beethoven: Piano Sonata No.27 in E minor, Op.90
Beethoven: Piano Sonata No.28 in A major, Op.101
Beethoven: Bagatelles, Op.126
Interval
R. Schumann: Davidsbündlertänze, Op.6
Independent"Goode drew on a luxuriously wide palette to allow each piece its separate place in the sun... They all seemed larger than life, with their poetry in close-up, possessing an oracular grandeur... At 72 this great American is just hitting his stride."
Financial Times"The evening was dominated by Richard Goode at the keyboard. In an exquisitely nuanced performance of the joyful concerto, he sustained warmth and tension, also beguiling restraint within a persuasive aura of spontaneity. Never succumbing to interpretive flash or indulgent mannerism, he savoured precious detail here and, in comparable, compatible measure, a grand, heroic line there. Ever subtle and ever supple, he maintained a fragile fusion of virtuosity and introspection."
Chicago Tribune"Richard Goode was the patrician soloist, reminding us why he’s widely admired as one of the foremost Mozart pianists America has produced. Typically, there was enormous musical intelligence at work in his playing, along with a grace and refinement, and purling tone, that connected long phrases with the utmost fluency and musical understanding. Everything was clearly thought out yet nothing felt less than spontaneous"